Baroque style SONG Brand master (6×5) string 14" Viola d'Amore,green colour#9429

Description: Welcome to our shop. Tips: Please tell us your CPF number after Brazilian customers place ordersBaroque style SONG Brand master 6×5 string 14" Viola d'Amore,green colour #9429Huge and powerful soundrich and sweet toneHeavy undertone Fine European spruce top Nice flames maple back hand carved with best workmanship carved with horse head scrolled u Rare SONG Excellent 6×5 strings 14"viola d'Amore, It has a very huge sound, rich and sweet tone ,fine workmanship and up to the hammer paint color,very pretty contour. It is the wisest choice for playing and collecting.u Finest Europen spruce Top with the even grain, Natural dried 15 yearsu Beautiful liny Flamed maple Back , Neck and Ribs, Natural dried 15 yearsu Excellent Condition- no cracks, no repairs, no damage.u Ebony pegs and chinrestu Baroque style fingerboardsu Free with high quality soft bagu Free Good Bow The tuning from lowest to top is: A - d - a - d' - f#' - a' - d"Notice: The strings of this instrument aren't exact, Since we haven't find the right strings for it, Please put the right strings on it by yourself. please understand. About the Viola d'Amore: The majority of violas d'amore have fourteen strings -- seven playing strings and seven additional resonating or sympathetic strings that go through the bridge and between the fingerboard and neck of the instrument, held by individual pegs in the elongated pegbox. The sympathetic strings are most often tuned to the same pitches as the playing strings. Instruments exist with different combinations of playing strings (four, five, six, and seven) and sympathetic strings (from four up to fourteen). In Germany, violas d'amore without sympathetic strings existed for a short time during the early 18th century. During the Baroque period, it was common practice to tune the viola d'amore in the key of the individual piece. Joseph Maier listed 16 different tunings for viola d'amore in his 1732 treatise Museum musicum.Vivaldi used the tunings of D major, d minor, A major, a minor and F major in his eight concerti for viola d'amore. By the end of the 18th century, the tuning settled into one tonality, which is the one that is used today and most often for classical, romantic and contemporary pieces. That tuning, from the lowest seventh string up to the top first string, is:A - d - a - d' - f#' - a' - d"The bulk of viola d'amore music during the 18th century was written in scordatura notation, a system by which a violinist could more easily play on a viola d'amore with different tunings other than the standard tuning of a stringed instrument tuned in fifths. The top four strings of the viola d'amore could be tuned to different possible pitches but the written notation would use the open g, d, a, and e strings of the violin for those pitches, so that if the top string were tuned to d", the written note was an e" and it would sound d". For the lower 3 strings, it was common to have those written in the bass clef, but sounding an octave higher. This system made it feasible for one not used to scordatura tuning to play more easily on the viola d'amore. On the other hand, some composers, such as J.S. Bach and Christoph Graupner did not use scordatura notation at all and so the written notes were those actually that were sounded. Shipping : This item will be shiped from China, EMS door to door airdelivery。Buyer will get a set of track number after we send items.The shipping cost not including the Custom duties. Buyer need to pay the Custom duties.

Price: 424.15 USD

Location: Hengshui, hebei province

End Time: 2024-08-31T22:34:14.000Z

Shipping Cost: 129 USD