[Salieri, Mozart, Dalayrac, Turk etc.]: Studien für Tonkünstler und Musikfreunde

Description: [Salieri, Mozart, Dalayrac, Turk etc.]: Studien für Tonkünstler und Musikfreunde [Salieri, Mozart, Dalayrac, Turk etc.]: Studien für Tonkünstler und Musikfreunde Reichardt, Johann F. (1752–1814) & Kunzen, Friedrich Aemilius. (1761–1817) [Salieri, Mozart, Dalayrac, Turk etc.] Studien für Tonkünstler und Musikfreunde, eine historisch-kritische Zeitschrift für das Jahr 1792 Berlin: im Verlage der neuen Musikhandlung. 1793. 4to (27 cm). 2 parts in 1: 192 + 172 pp + Inhalt (IV+IV+IV+IV+IV+IV+IV+IV), consisiting of 24 issues of the Musikalisches Wochenblatt followed by the six issues under the name Musikalische Monathsschrift followed by Index pamphlets printed on dark green paper for each. Full brown leather, gilt to spine with five raised bands, paper title plate. Early stamp of the Hochschule fur Lehrerbildung Sarrebrücken to title, a few other stamps and notations, scattered foxing throughout, generally fine. RISM B VI, 1,465. Rare. Worldcat recording 6 copies total, 3 in the United States, of which only 2 are apparently complete. "In 1791, Johann Friedrich Reichardt (1752-1814), composer at the Berlin court, undertook to publish an educational music journal, which began as the Musikalisches Wochenblatt [Musical weekly], in twenty-four parts...The journal was reduced to monthly publication renamed the Musikalische Monathsschrift [Musical monthly] during the second year. Each part of MWB includes a sheet music supplement consisting of short compositions, usually a one-page Lied, opera aria or instrumental piece. The weekly was edited by Friedrich Ludwig Aemilius Kunzen (1761-1817), co-founder of a concert series given at the Berlin inn “Stadt Paris,” and Johann Gottlieb Karl Spazier (1761-1806), a philosopher, writer and musical dilettante. The monthy was largely edited by Reichardt, who, with Spazier were the main contributors to both journals. The “Vorbericht” [Introduction] to the first issue gives an outline of the content, a format adhered to throughout the publication's run: 1. Reviews of important musical works [books and compositions] from Germany, Italy, France and England; 2. Short announcements of noteworthy compositions from these countries; 3. Essays on theoretical, practical and poetic matters of music; 4. Reports on musical life in European centers; 5. Reports of fine musicians; 6. Biographies of noteworthy deceased musicians; 7. Poems, anecdotes, etc.; 8. Reviews of short songs and compositions. The journal gives insight into contemporary musical life of Berlin: the Liebhaberkonzerte [Dilettante concerts], the concert series at the inn “Stadt Paris,” and performances of operas and church music (including Reichardt’s Concerts spirituels). Works reviewed include the operas Axur by Salieri, Olimpiade by Reichardt, Darius by Allessandri, Don Juan by Mozart, and the oratorio Hiob by Dittersdorf. Several reviews deal with musical life in Paris after the revolution. A writer from London reviews a performance of Handel’s oratorio Samson at the Drury Lane Theatre. Reviews of published music include the opera Aline, Königin von Golconda by J. A. P. Schulz. Letters offer information on musical life in Potsdam, Königsberg, Mannheim, Vienna, Prague, Copenhagen, and Rome, ten letters possibly written by Reichardt himself. Biographies deal with the pianist Johann Samuel Schröter (translated from the English), F. L. Ae. Kunzen and Pergolesi (translated from Charles Burney). Reichardt contributes extensive corrections and additions to Gerber’s Lexicon der Tonkünstler, drawing on his own collection of sheet music, manuscripts and biographical knowledge of musicians. Excerpts from Eschenburg’s translations of Charles Burney’s A General History of Music appear in two installments. The musical supplements include a romance from Salieri’s opera Axur, and two dance pieces from Reichardt’s opera Olimpiade. Other composers featured in the musical supplements are the journal’s editors, Kunzen and Spazier, as well as Johann Abraham Peter Schulz, Nicolas-Marie Dalayrac, Karl Friedrich Christian Fasch, the glass harmonica player Karl Leopold Röllig, Carl Friedrich Zelter, Johann Adam Hiller and Daniel Gottlob Türk. The journal’s run ended in 1792, owing to a lack of public interest. In December 1792, all six Hefte were bound together and sold as the Studien für Tonkünstler und Musikfreunde, with an introduction by Reichardt and a list of contributors." (Ole Hass, "Musikalisches Wochenblatt / Musikalische Monatsschrift," RIPM.ORG - accessed 10/2/14) Schubertiade Music & Arts LLC - BUY WITH CONFIDENCE! ***ALL AUTOGRAPHS GUARANTEED AUTHENTIC WITHOUT LIMIT*** I was the President of the Professional Autograph Dealers Association from 2013-2018 and a leading and trusted authenticator of autographs, including for many of the world's auction houses and for James Spence (JSA). Schubertiade Music & Arts are also members in good standing of ABAA/ILAB, the most exclusive consortium of Rare Book and Manuscript Dealers in the world, as well as the MLA (Music Librarian Association), and MARIAB (Massachusetts and Rhode Island Antiquarian Booksellers). You can read more about us by searching for Schubertiade Music & Arts and may buy with utmost confidence! SCHUBERTIADE MUSIC & ARTS deals in Music, Entertainment, Literary and other Autographs, Antiquarian Music, Books, Prints, Photographs & Paintings and Ephemera. Please read more about us in our "about me" page by clicking next to our username / feedback listing. We issue seasonal and occasional catalogues - please contact us if you would like to receive notifications or let us know about your collection. Everything we offer is guaranteed authentic without limit and is so stated on the signed and detailed receipt which comes with every item. Because this Guarantee is attached to an actual and meaningful money-back guarantee (see our Terms for further details), this is much more significant than most COAs which are generally but worthless pieces of paper if not issued by recognized experts in the field and backed by a real authenticity return policy. We accept payment by ALL MAJOR CREDIT CARDS, Check, and by Paypal. Shipping Charges are as listed and are not subject to negotiation. We will of course be happy to combine shipments and do NOT charge multiple shipping charges except for large/heavy items which naturally affect the cost. We ship exclusively via insured FedEx and pride ourselves on our thorough and expert packaging. Reichardt, Johann F. (1752–1814) & Kunzen, Friedrich Aemilius. (1761–1817) [Salieri, Mozart, Dalayrac, Turk etc.] Studien für Tonkünstler und Musikfreunde, eine historisch-kritische Zeitschrift für das Jahr 1792 Berlin: im Verlage der neuen Musikhandlung. 1793. 4to (27 cm). 2 parts in 1: 192 + 172 pp + Inhalt (IV+IV+IV+IV+IV+IV+IV+IV), consisiting of 24 issues of the Musikalisches Wochenblatt followed by the six issues under the name Musikalische Monathsschrift followed by Index pamphlets printed on dark green paper for each. Full brown leather, gilt to spine with five raised bands, paper title plate. Early stamp of the Hochschule fur Lehrerbildung Sarrebrücken to title, a few other stamps and notations, scattered foxing throughout, generally fine. RISM B VI, 1,465. Rare. Worldcat recording 6 copies total, 3 in the United States, of which only 2 are apparently complete. "In 1791, Johann Friedrich Reichardt (1752-1814), composer at the Berlin court, undertook to publish an educational music journal, which began as the Musikalisches Wochenblatt [Musical weekly], in twenty-four parts...The journal was reduced to monthly publication renamed the Musikalische Monathsschrift [Musical monthly] during the second year. Each part of MWB includes a sheet music supplement consisting of short compositions, usually a one-page Lied, opera aria or instrumental piece. The weekly was edited by Friedrich Ludwig Aemilius Kunzen (1761-1817), co-founder of a concert series given at the Berlin inn “Stadt Paris,” and Johann Gottlieb Karl Spazier (1761-1806), a philosopher, writer and musical dilettante. The monthy was largely edited by Reichardt, who, with Spazier were the main contributors to both journals. The “Vorbericht” [Introduction] to the first issue gives an outline of the content, a format adhered to throughout the publication's run: 1. Reviews of important musical works [books and compositions] from Germany, Italy, France and England; 2. Short announcements of noteworthy compositions from these countries; 3. Essays on theoretical, practical and poetic matters of music; 4. Reports on musical life in European centers; 5. Reports of fine musicians; 6. Biographies of noteworthy deceased musicians; 7. Poems, anecdotes, etc.; 8. Reviews of short songs and compositions. The journal gives insight into contemporary musical life of Berlin: the Liebhaberkonzerte [Dilettante concerts], the concert series at the inn “Stadt Paris,” and performances of operas and church music (including Reichardt’s Concerts spirituels). Works reviewed include the operas Axur by Salieri, Olimpiade by Reichardt, Darius by Allessandri, Don Juan by Mozart, and the oratorio Hiob by Dittersdorf. Several reviews deal with musical life in Paris after the revolution. A writer from London reviews a performance of Handel’s oratorio Samson at the Drury Lane Theatre. Reviews of published music include the opera Aline, Königin von Golconda by J. A. P. Schulz. Letters offer information on musical life in Potsdam, Königsberg, Mannheim, Vienna, Prague, Copenhagen, and Rome, ten letters possibly written by Reichardt himself. Biographies deal with the pianist Johann Samuel Schröter (translated from the English), F. L. Ae. Kunzen and Pergolesi (translated from Charles Burney). Reichardt contributes extensive corrections and additions to Gerber’s Lexicon der Tonkünstler, drawing on his own collection of sheet music, manuscripts and biographical knowledge of musicians. Excerpts from Eschenburg’s translations of Charles Burney’s A General History of Music appear in two installments. The musical supplements include a romance from Salieri’s opera Axur, and two dance pieces from Reichardt’s opera Olimpiade. Other composers featured in the musical supplements are the journal’s editors, Kunzen and Spazier, as well as Johann Abraham Peter Schulz, Nicolas-Marie Dalayrac, Karl Friedrich Christian Fasch, the glass harmonica player Karl Leopold Röllig, Carl Friedrich Zelter, Johann Adam Hiller and Daniel Gottlob Türk. The journal’s run ended in 1792, owing to a lack of public interest. In December 1792, all six Hefte were bound together and sold as the Studien für Tonkünstler und Musikfreunde, with an introduction by Reichardt and a list of contributors." (Ole Hass, "Musikalisches Wochenblatt / Musikalische Monatsschrift," RIPM.ORG - accessed 10/2/14) Schubertiade Music & Arts LLC - BUY WITH CONFIDENCE! ***ALL AUTOGRAPHS GUARANTEED AUTHENTIC WITHOUT LIMIT*** I was the President of the Professional Autograph Dealers Association from 2013-2018 and a leading and trusted authenticator of autographs, including for many of the world's auction houses and for James Spence (JSA). Schubertiade Music & Arts are also members in good standing of ABAA/ILAB, the most exclusive consortium of Rare Book and Manuscript Dealers in the world, as well as the MLA (Music Librarian Association), and MARIAB (Massachusetts and Rhode Island Antiquarian Booksellers). You can read more about us by searching for Schubertiade Music & Arts and may buy with utmost confidence! SCHUBERTIADE MUSIC & ARTS deals in Music, Entertainment, Literary and other Autographs, Antiquarian Music, Books, Prints, Photographs & Paintings and Ephemera. Please read more about us in our "about me" page by clicking next to our username / feedback listing. We issue seasonal and occasional catalogues - please contact us if you would like to receive notifications or let us know about your collection. Everything we offer is guaranteed authentic without limit and is so stated on the signed and detailed receipt which comes with every item. Because this Guarantee is attached to an actual and meaningful money-back guarantee (see our Terms for further details), this is much more significant than most COAs which are generally but worthless pieces of paper if not issued by recognized experts in the field and backed by a real authenticity return policy. We accept payment by ALL MAJOR CREDIT CARDS, Check, and by Paypal. Shipping Charges are as listed and are not subject to negotiation. We will of course be happy to combine shipments and do NOT charge multiple shipping charges except for large/heavy items which naturally affect the cost. We ship exclusively via insured FedEx and pride ourselves on our thorough and expert packaging.eBay integration by eBay integration by

Price: 1980 USD

Location: Brooklyn, New York

End Time: 2024-09-04T19:43:39.000Z

Shipping Cost: 10 USD